Once again we follow Zen Starling as he travels across the galaxy with Nova, the almost human Motorik, trying to work out their relationship – (How does that even work, a human and a Moto? Zen is asked.) – whilst fighting the Guardians for control of the Great Network. Continue reading “Station Zero : Philip Reeve”→
… showmanship, a dragon’s flower & curious composite creatures …
A History of Magic achieves the very difficult balancing act of displaying an intriguing collection of historical artefacts alongside JK Rowling‘s notes, sketches and illustrators’ works from the books. It is incredibly difficult to present a modern, imaginary world alongside objects from a time when magic was an accepted truth. The fun and knowing humour of the former can clash horridly against the simple sincerity of the latter. I am full of admiration for the lead curator, Julian Harrison, in achieving such a thoughtful exhibition. There is so much to see here that I have chosen three of my absolute favourites to highlight.
First of all, I cannot ignore – and neither can you – the amazing Ripley Scroll (detail above) which is worth the admission fee alone. It takes its name from George Ripley, an 15th century alchemist and is an astoundingly beautiful piece of showmanship – surely the 6m long scroll was not designed to be displayed in its entirely but rather unfurled slowly before some marvelling initiate? The fantastical detail and mysterious verses are a delight. There is no clear evidence that George actually designed the scroll but it is named after him because the work includes verse associated with the alchemist. There are actually about 23 copies in existence – all variations on a lost 15th century original.
The second highlight for me was this magnificently doom laden portrait of the black Dragon Arum (Dracunculus vulgaris) from Robert John Thornton‘s The Temple of Flora, 1799 – 1807. This Flora is the third part of a larger work entitled: New illustration of the sexual system of Carolus von Linnaeus and the accompanying text is rather passionate and hot under the collar about this wonderful plant. It includes lines from Frances Arabella Rowden‘s A Poetical introduction to the study of botany : “So Vice allures with Virtue’s pleasing song, / And Charms her victims with a Siren’s tongue.” Thornton attempted to produce the most impressive botanical book ever; unfortunately lack of buyers meant the whole thing nearly bankrupted him.
But my absolute favourite in the exhibition is something much more personal and delightful which could very easily be missed because it is next to the show stopping dried Mermaid (actually a pairing of a monkey and a fish).
The object is a “Game Book“. It’s a C17th game of consequences where a series of flaps overlay a wonderful collection of mythical and real beasts: siren, manticore, lion, etc. to create composite creatures. With its wobbly handwriting and charming illustrations, the curators suggest it was made as a love token. One of the drawings is of a smart gentleman wearing a large ruff with cloak thrown over one shoulder – it would please me very much if this was a self portrait designed to woo his admiring lover …
The show is a delight and I would suggest a couple of hours to look round and negotiate the crowded rooms.
Harry Potter: A History of Magic at The British Library runs until 28 February 2018. Alas – all the tickets have now been sold. It will re-open in New York in October 2018.
To get a flavour of the exhibition you can always buy the official book of the exhibition from the British Library shop – informative and with good illustrations. Harry Potter: A History of Magic £25.00 (reduced from £30). Bloomsbury Publishing. Hardback. October 2017. Also available as an ebook. There’s also a BBC documentary about the exhibition that you can buy on DVD. For further details check out the Pottermore website.
… fighting, moral ambiguity, death – what’s not to like? …
I hadn’t really heard the term “grimdark” until a couple of years ago and, as a relatively new term the definition is still fairly flexible. Wikipedia currently has this: Grimdark is a subgenre or a way to describe the tone, style or setting of speculative fiction that is particularly dystopian, amoral or violent. I guess what sets grimdark apart from horror is that the supernatural element can usually be controlled by characters or is treated as a force to be channelled by these characters rather than being some nameless inhuman horror.
Three of my favourite reads this year have been set squarely in the grimdark field: their protagonists are not very noble, their worlds are dystopian with dark forces at work and the deaths are generally gruesome.
Strangely enough I don’t like horror. Never read the stuff. So why did I enjoy these books?
After much thought I think it’s a combination of the pace, the unpredictability and the black humour of this genre I love so much. Looking back over my reviews, I use phrases such as: tremendous pacey thriller, a beguilingly flawed hero, exuberant story telling and enough twists amongst the battles and assassinations to keep the pages turning fast.
Two other favourite reads of 2017 could almost be grimdark for their flawed protagonists, black humour and dark forces. The urban fantasy Corpselight by Angela Slatter with an excellent detective, Verity Fassbinder, set in Brisbane and the Young Adult novel, The Invasion by Peadar O’Guilin which will be out next year. It is a delicious mixture of folklore, fantasy and horror.
Godblind by Anna Stephens was published by Harper Voyager in June 2017 in the UK. My review can be read here and her twitter account is @AnnaSmithWrites
Blackwing by Ed McDonald was published in July 2017 by Gollanczin the UK. My full review is here. Ed’s very entertaining blog is here It includes some great posts on writing and the publishing journey. And longsword technique. He is on twitter @EdMcDonaldTFK
Godsgrave by Jay Kristoff was published by HarperVoyager in September 2017. My review is here. For further information on Jay, his website is here. His twitter feed is fun to follow @misterkristoff
Corpse Light by Angela Slatter was published by Jo Fletcher Books in July 2017. My full review can be read here and her twitter account is @AngelaSlatter
The Invasion by Peadar O’Guilin will be published by David Fickling Books in March 2018. My review is here and his twitter account is @TheCallYA
… addictive mix of wild savagery and messy emotions …
Peadar is a master of combining thrilling horror with thoughtful characterisation, creating an addictive mix of wild savagery and messy human emotions. As with The Call, he drives The Invasion‘s plot forwards at a tremendous pace whilst adding just the right amount of intimate scenes for the reader to become very attached to his cast – an incredibly difficult balancing act to achieve. I guess it’s something to do with his Irish folklore heritage.
Peadar’s mixture of horror and tragedy is highlighted by the deformed S’dhe animals made up of tortured humans including the centaurs apologising as they scythe through people and, my particular favourite, the tiny winged Fr Ambrosio who craves eyeballs.
The Invasion‘s story is spread across three different viewpoints: between Ness, the main character in The Call, her boyfriend, Anto, and Aoife, a student from their Boyle Survival College. I was keen to find out how he could make their predicament even worse than the first book. Well, Peadar doubles the pressure by making the beleaguered government believe Ness to be a S’dhe spy. They lock her up in prison research establishment whilst sending her beloved Anto to the front line of the Sidhe invasion. Can Ness use her S’dhe given powers to defeat the invasion and be reunited with her beloved Anto? The plot races to a satisfying final battle and conclusion.
With his tightly written story telling and deft characterisation, Peader is one of the finest YA novelists around. The Call was on the shortlist for The Bookseller’s YA Book Prize 2017. My review of it is here. I can’t wait to see what he comes up with next.
Notice: The horrors are truly disturbing and there’s a little discreet sex so this book is definitely a Young Adult rather than a Pre-Teen choice.
Cover design moment: The striking cover is by the award winning Blacksheep design team. It’s not black! HURRAH. Proving images can be sinister and intriguing with being black. Further details of their work can be found here.
The Invasion by Peadar O’Guilin will be published by David Fickling Books in March 2018.
In this book, our attention shifts from Mia‘s education in the Red Church to her training for the gladiator games at Godsgrave where her father’s murderers will be making a rare public appearance. Mia sells herself to a gladiatorial collegium and she needs to be the last fighter standing for a chance to get close enough to kill them. Accompanied by her not-cat shadow Mister Kindly and not-wolf Eclipse, Mia negotiates her way through the gladiator school finding new friends and enemies as the body count rises and glints of treachery appear.
Jay has an exceptional world building talent and in it he has placed a complex and likeable heroine. But that is not all: what I will remember most about the book is his exuberant story telling which gave me so much pleasure. The novel starts with two stories which doubles the tension; he mirrors scenes between different characters; and he is a master of a great one-liner.
Set amongst a well drawn array of secondary characters, the story has some brilliant plot twists – with some dazzling fight pieces – and a tremendous (abrupt) ending, leaving me wanting the next book – immediately.
(An aside about his footnotes: I ignored them as they slowed the pace too much for me and didn’t detract from the main narrative. Perhaps they are meant for the second or third reading.)
Apart from that, Godsgrave is a real pleasure to read and I highly recommend it.
NB: Godsgrave contains scenes of graphic sex and extreme violence and so is definitely Adult rather than Young Teen territory.
Cover design moment : The UK cover illustration is again by the Philippines-based Kerby Rosanes and is brilliant. His website is here. A real asset to the novel. Well done Micaela Alcaino who designed around it (website here) and whoever at HarperVoyager for crediting them both on the back. I don’t mind the US cover version but feel this design series has more presence and, quite frankly, I could do without an artist’s impression of Mia.
Jay Kristoff is the author of the award winning Japanese Steampunk series, The Lotus War; and a second well received series, The Illuminae Files. With his work, Jay has been a winner of the Aurealis Award for Best Fantasy Short Fiction and a nominee for the David Gemmell Award. For further information his website is here. His twitter feed is fun to follow. Currently he is calling himself Jay Killzurfavesoff.
Godsgrave was published by HarperVoyager in September 2017. It follows Nevernight which was published in August 2016.
This is a perfectly paced ghost story about a girl living next to a derelict orphanage.
Pam Smy carefully weaves together the stories of two girls in a beguiling mix of diary and illustration. The ghost, Mary, writes heartbreaking entries of her bleak childhood in the diary which is discovered years later by the lonely Ella, whose story is told entirely through unscripted illustrations. With no narrator to help, we are left to piece together the gaps in each story.
Pam then intersperses the diary entries and cartoon narrative with heavy black pages to represent sleep. The cumulative effect of these blanks, combined with the silent illustrations, recreates the detachedness of a lonely childhood and gives the reader delightful pause to think about and guess (deliciously) what might happen next.
The whole effect is intriguing, creepy and otherworldly by turn and builds to a terrific climax.
Pam Smy studied Illustration at Cambridge School of Art, part of Anglia Ruskin University, where she now lectures part-time. Pam has illustrated books by Conan Doyle (The Hound of the Baskervilles), Julia Donaldson (Follow the Swallow) and Kathy Henderson (Hush, Baby, Hush!), among others. This is the first book she has both written and illustrated. Pam has a blog spot here which traces some of the development of this work.
This is my seventeenth review in the British Books Challenge 2017. Come and join us at over at Chelley Toy’s site.
Thornhill by Pam Smy was published on 24 August 2017 by David Fickling Books in the UK and on 29 August 2017 by Roaring Brook Press in USA.
It was recommended to me by Emily who runs Emily’s Bookshop in Chipping Campden. Thanks, Em!
Sequel to City of Stairs (which I absolutely loved), City of Blades is a more sombre yet still an extremely satisfying novel with a loveable hero to follow against the incredible backdrop of Robert’s rich world building.
It is quite a challenge to produce a sequel that can stand up to a brilliant and much praised first book. Robert very sensibly refuses to repeat a winning formula and shifts focus to a secondary character from the City of Stairs. He homes in on the very wonderful Turyin Mulaghesh, a kick-ass, troubled and almost retired General who argues and swears her way through this novel, with the grimmest determination. I adored her.
Though other main and loved characters from the City of Stairs such as Shara and Sigrud appear do, we are following Turyin, this broken, war scarred woman, as she is sent to Voortyashtan, under cover, to investigate the disappearance of another officer. There are murders and assassinations, the politics of occupation and a lot of back history to ramble through and, of course, some divine intervention to contend with.
It’s hard to categorise the genre exactly (not that I want to shove this book in a box) but I would guess it is a mixture of epic fantasy for its soaring, complete and satisfying world building combined with urban fantasy for the wonderful Turyin Mulaghesh‘s approach to life.
Cover design moment: The cover of UK edition is by the Soho-based KS Agency and it made the long list for the Ravenheart Award for fantasy cover art which is chosen by open vote. It features the rocky landscape of his world and hints at the divinity that lies beyond. I love the clean lyricism of lettering which invites a second look though I think the book deserves something bolder.
City of Blades by Robert Jackson Bennett was published in the UK by Jo Fletcher Books in January 2016. It is the second in the Divine Cities trilogy.
A Gathering of Shadows is the second in VE Schwab’s A Darker Shade of Magic series following the adventures of the impetuous and very determined Delilah Bard, a brilliant protagonist who is an entertaining delight to spend time with – the opening sequence was worth the price of the paperback. Truly.
Victoria skilfully manoeuvres Lilah via a spot of piracy back to Red London to compete in the Element Games, a magical tournament, where she will face Kell, adopted brother of Prince Rhy and one of the few Antari, who can travel between other worlds. The book had some great set pieces, new intriguing characters and a wonderful sense of place though I thought, on occasion, the story could have been pacier and every so often there was a slight sense of the architecture behind the story showing through … nonetheless very enjoyable.
Cover design moment: Congratulations to Julia Lloyd, Senior Fiction Designer at Titan Books for another stunning cover design. A wonderful silhouette of Delilah Bard with distinct red and black colour scheme perfectly conjuring up the feel of the book. Interestingly, the US cover by Will Staehle is also gorgeous: stylish and distinctive – and unusually for different countries’ cover both designs can be seen as a riff on each other, using the same color scheme – which is pertinent to the book’s setting. It is really is a very close call, if I had to choose between between the two, after a long pause, I would have to say I prefer Julia’s. Will’s woodcut element is slightly less complementary to the novel; it’s more fairy tale-like and less adventure story. Whichever you prefer, both UK and US designs for the series are some of THE best covers around at the moment.
A Gathering of Shadows by VE Schwab was published by Titan Books in the Uk and Tor Books in the USA in February 2016. It is the second in the Darker Shade of Magic trilogy.
Ed McDonald‘s debut novel Blackwing is tremendous pacey thriller with a beguilingly flawed hero. The story has a collection of vivid side characters, believable gods and Hieronymus Bosch type monsters. Ed also has the rare ability to maintain the terrific pace right through the novel.
Most of all I loved Captain Ryhalt Galharrow: a flawed, wounded man hiding behind drink and a flippant approach – yes, not exactly a new character – but Ed really does write so well that I was more than happy to spend time with him.
A tremendous addition to the grimdark shelves and definitely one of my top five of 2017. I am really looking forward to the next in the The Raven’s Mark series.
Ed McDonald lives with his wife in London and works as a university lecturer. His notes say: “When he’s not grading essays or wrangling with misbehaving plot lines he can usually be found fencing with longswords, rapiers and pollaxes.” His very entertaining blog is here It includes some great posts on writing and the publishing journey. And longsword technique.
This is my sixteenth review in the British Books Challenge 2017.
Cover design moment: Superb UK design by Dan Smith of Bionic Graphics. Compared to the more traditional US design – which includes heavy block type and a hooded, wind whipped cloak silhouette – the UK cover has a looser, more painterly feel which is just right for the story. The UK edition also has cool black fore edges – surely a must for grim dark fantasy from now on. Dan’s website is here.
Blackwing by Ed McDonald was published on July 27th 2017 by the Orion imprint Gollanczin the UK, and in the United States it will be out in October 2017 via the science fiction publisher Ace. It is the first part of The Raven’s Mark trilogy.
It was lent to me by Emily who runs Emily’s Bookshop in Chipping Campden. Thanks, Em!