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Fly Girl's Cabinet of Curiosities

curated by Thornton Rigg

Month

August 2017

Monument to Cecco di Sangro : Cappella Sansevero

… intriguing jack-in-a-box …

Naples Sansevero

One of the top sights in Naples is the group of extraordinary Baroque sculptures in Cappella Sansevero. The most famous is the Veiled Christ by Napolitan Guiseppe Sanmartino. This dramatic and technical tour-de-force depicts the dead Christ under a thin, transparent shroud. Such was its virtuosity that a legend grew about its creation: people believed that a real cloth shroud had somehow been turned to stone over the marble body. Queue up, buy the ticket and shuffle around the statue: it truly is amazing.

Veiled Christ Naples

However … the rest of the chapel is just as interesting. After admiring the main event, I wandered around, as I always do, avoiding the crowds and rebelling against the directions. This is why I do it: most of the tourists completely miss this delightful memorial to Cecco di Sangro as it is above the entrance and so you have to turn your back on the Veiled Christ to notice it.

Some background: most of the decorative scheme was devised and commissioned by Raimondo di Sangro, Prince of Sansevero (1710 – 1771). He was a fascinating character: an Italian nobleman, soldier, writer, scientist, alchemist and freemason whose dangerous and heretical archive was destroyed by his family after his death.

This sculpture has attracted several intriguing stories.  According to the Chapel’s own website, the Monument to Cecco di Sangro represents a real event. Raimondo’s ancestor,  Cecco is climbing out of a chest where he had been hiding for two days, allowing him to take the enemy by surprise and capture the fort of Amiens. Alas, I haven’t been able to find any corroboration for this escapade. The subject matter has also been interpreted as the soldier being the “guardian” of this supposedly Masonic Temple.

But most delightfully, according to one legend, as told to the local philosopher Benedetto Croce, as he approached the end, Raimondo di Sangro had himself cut to pieces and closed in a coffin, from which he was supposed to emerge “hale and hearty” at a specific time; unfortunately the family opened the coffin too early and the “resurrection” lasted only a few moments … oops.

 

 

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Blackwing : Ed McDonald

… tremendous addition to the grimdark genre … 

grimdark fantasy

 

Ed McDonald‘s debut novel Blackwing is tremendous pacey thriller with a beguilingly flawed hero. The story has a collection of vivid side characters, believable gods and Hieronymus Bosch type monsters. Ed also has the rare ability to maintain the terrific pace right through the novel.

Most of all I loved Captain Ryhalt Galharrow: a flawed, wounded man hiding behind drink and a flippant approach – yes, not exactly a new character – but Ed really does write so well that I was more than happy to spend time with him.

A tremendous addition to the grimdark shelves and definitely one of my top five of 2017. I am really looking forward to the next in the The Raven’s Mark series.

Ed McDonald lives with his wife in London and works as a university lecturer. His notes say: “When he’s not grading essays or wrangling with misbehaving plot lines he can usually be found fencing with longswords, rapiers and pollaxes.” His very entertaining blog is  here It includes some great posts on writing and the publishing journey. And longsword technique.

This is my fifteenth review in the British Books Challenge 2017.

Cover design moment: Superb UK design by no idea. As I have an Advanced Reading copy, there’s no hint of the designer but perhaps it’s by Blacksheep Design? I’ll report back. Compared to the more traditional US design – which includes heavy block type and a hooded, wind whipped cloak silhouette – the UK cover has a looser, more painterly feel which is just right for the story. The UK edition also has cool black fore edges – surely a must for grim dark fantasy from now on.

Blackwing by Ed McDonald was published on July 27th 2017 by the Orion imprint Gollancz in the UK, and in the United States it will be out in October 2017 via the science fiction publisher Ace. It is the first part of The Raven’s Mark trilogy.

It was lent to me by Emily who runs Emily’s Bookshop in Chipping Campden. Thanks, Em!

 

Raphael: The Drawings : Ashmolean, Oxford

… intimate and exhilarating …

Raphael sketch

I don’t know about you but I often prefer sketches to finished paintings. They are more intimate, more approachable and, ultimately, more engaging than a finished work. The fragments, smudges and re-worked lines get me closer to the artist’s creativity than the varnished perfection of an oil or fresco. And I have, I confess, always found Raphael a little too perfect to love.  But I was bowled over by this exhibition. His virtuosity is breathtaking and his experimentation truly exhilarating.

The Ashmolean has brought together a stunning exhibition of 120 sketches. Fifty works come from their own collection, the largest and most important group of Raphael drawings in the world and loans from other international collections including the Louvre, the Uffizi and the Queen’s Private Collection.

There’s also a very good short film running through the different techniques and media used : charcoal, chalks, metal point and ink.

The show is crowded so to avoid shuffling along, try to go at the edge of a day. I would also recommend a tactic which works particularly well at the Ashmolean where visitors want to linger over the detail of every single picture. I walk straight through the exhibition to the last of the three rooms and work backwards. This final room is always the least crowded as gallery fatigue sets in for many people at the end of the second room … when they see the exit sign (and a coffee beckons).

Raphael: The Drawings at the Ashmolean Museum, Oxford runs until 3 September 2017. The show will now be open on Monday 14 and Monday 21 August (the museum is not usually open on Mondays) as well as being open until 8pm on Friday 25 August and Saturday 2 September. Usual opening times for the Ashmolean are 10am to 5pm Tuesday to Sunday, and Bank Holidays. For further details about the museum and the exhibition, follow the link here to their own website.

Corpse Light : Angela Slatter

… great fun urban fantasy with a kick-ass female lead …

urban fantasy brisbane

Verity Fassbinder is half Weyrd and half norm – a status which makes her well placed to police the blurred lines between the normal and the shadowy in the city of Brisbane. When an insurance company gets troubled by an “Unusual Happenstance, Verity is called in and the threads of the situation unfurl to coil around her friends and her family, and ultimately Verity herself.

Angela writes with great style and economy. The story line is fast and furious with lots of fabulous characters and relationship twists but, most of all, I’ve waited all year to spend time with Verity again. She is loud mouthed, full of heart and this time, she’s very, very pregnant.

Recommended.

Angela Slatter is an award-winning author of short story collections for which she has won the World Fantasy Award, the British Fantasy Award and five Aurealis Awards. Vigil, the first Verity Fassbinder book, was her first solo novel. Angela lives in Brisbane, Australia.

Cover design moment: The illustration of a Kitsune (fox) assassin is by Rory Kee, who is name credited on the back and appears to work for Quercus quite a bit – though unfortunately I can’t find a website for her.

Corpse Light by Angela Slatter was published by Jo Fletcher Books, an imprint of Quercus, on 13th July 2017. This is the second in Angela’s Verity Fassbinder series. Restoration, the third, is hopefully out next year.

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