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Rigg's Cabinet of Curiosities

curated by Thornton Rigg

The Invasion : Peadar O’Guilin

… addictive mix of wild savagery and messy emotions …

young adult fantasy

Peadar is a master of combining thrilling horror with thoughtful characterisation, creating an addictive mix of wild savagery and messy human emotions. As with The Call, he drives The Invasion‘s plot forwards at a tremendous pace whilst adding just the right amount of intimate scenes for the reader to become very attached to his cast – an incredibly difficult balancing act to achieve. I guess it’s something to do with his Irish folklore heritage.

Peadar’s mixture of horror and tragedy is highlighted by the deformed S’dhe animals made up of tortured humans including the centaurs apologising as they scythe through people and, my particular favourite, the tiny winged Fr Ambrosio who craves eyeballs.

The Invasion‘s story is spread across three different viewpoints: between Ness, the main character in The Call, her boyfriend, Anto, and Aoife, a student from their Boyle Survival College. I was keen to find out how he could make their predicament even worse than the first book. Well, Peadar doubles the pressure by making the beleaguered government believe Ness to be a S’dhe spy.  They lock her up in prison research establishment whilst sending her beloved Anto to the front line of the Sidhe invasion. Can Ness use her S’dhe given powers to defeat the invasion and be reunited with her beloved Anto? The plot races to a satisfying final battle and conclusion.

With his tightly written story telling and deft characterisation, Peader is one of the finest YA novelists around. The Call was on the shortlist for The Bookseller’s YA Book Prize 2017. My review of it is here. I can’t wait to see what he comes up with next.

Highly recommended.

Notice: The horrors are truly disturbing and there’s a little discreet sex so this book is definitely a Young Adult rather than a Pre-Teen choice.

Cover design moment:  The striking cover is by the award winning Blacksheep design team. It’s not black! HURRAH. Proving images can be sinister and intriguing with being black. Further details of their work can be found here.

The Invasion by Peadar O’Guilin will be published by David Fickling Books in March 2018.

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Basic Nest Architecture : Polly Atkins

… haunting evocations of nature …

basic nest architecture poems seren

This haunting collection makes me pause and remember that the poetry I love is just like good architecture. Polly creates the scaffolding of an idea and then she leaves enough space between the words to allow my thoughts to hang around her ideas and then flow out and into that indefinable space of imagination.

I particularly liked the poems of her magical encounters with wild animals : rabbit, fox and deer which reminded  of Rilke‘s Unicorn Sonnet; and her Jack Daw description which, like Robert Macfarlane, seems to conjure the bird alive.

Other more lengthy reviews can be found on the publisher’s website here.

Highly recommended.

Polly Atkin lives in Cumbria. Her debut poetry pamphlet bone song (Clitheroe: Aussteiger, 2008) was shortlisted for the Michael Marks Award, 2009. Her second poetry pamphlet Shadow Dispatches (Seren, 2013) won the Mslexia Pamphlet Prize, 2012. In 2014 an extract from Basic Nest Architecture was awarded New Writing North’s Andrew Waterhouse Prize. Polly has taught English and Creative Writing at Lancaster University and the Universities of Strathclyde and Cumbria.

Cover design moment:  The amazing cover features a still life of an exploded nest and bird parts by the wonderful Mary Jo Hoffman. She posts photographs of natural objects found usually around Minneapolis and Saint Paul, Minnesota, on her website here. I am so glad I have discovered her site!

Added 20/11 Polly says: “The powers of the internet! I was looking for images that tied together bodies, nests & a sense of structure & found her …” When asked whether she had designed the whole thing, she said that Seren were ” … definitely responsible for putting it together so beautifully though & bringing the egg pattern into the lettering. Great design work!” All of this was via a Twitter exchange I had with Polly @pollyrowena

Basic Nest Architecture by Polly Atkin was published by the Welsh independent Seren Press on 27 February 2017 and I bought in from the lovely Artworks, gallery and shop, in Aberdyfi. If you are in the area the shop is well worth a browse.

This is my eighteenth review for the British Books Challenge 2017.

 

Quentin Blake : Inside Stories : Compton Verney

… full of inspiration, creativity and generosity …

quentin blake compton verney exhibition illustration

This exuberant exhibition is full of inspiration, creativity and positively glows with Quentin Blake‘s joie-de-vivre and generosity of spirit.

It features a huge range of finished illustrations, working drawings and crossed out snippets showing his process including sketches for Roald Dahl’s The Twits, BFG and Matilda, The Boy in the Dress by David Walliams, and his tremendous series of illustrations to accompany Michael Rosen’s Sad Book. (And the outline Rosen emailed to his publisher entitled: Is this a Book?)

The show includes over 140 original works, as well as some of his artists tools and a couple of short films in which Quentin demonstrates his techniques.

Excellent. Couldn’t stop smiling all the way round.

The exhibition runs until 17 December 2017 (Tue – Fri 11am – 4pm; Weekends – 11am – 5pm) and is definitely worth a visit. The marvellous The Lost Words exhibition is running at the same time. If you haven’t been to Compton Verney before, I urge you to go.   The exhibition space, permanent exhibitions and park are a delight and make a great day out for both art fiends, nature lovers and families.  There’s a lovely cafe, an adventure playground for children, and boardwalks and pond dipping around the lake.  Click here to be directed to their website.

Quentin Blake: Inside Stories is a touring exhibition from the brilliant House of Illustration. This charity, based in London, is the UK’s only public gallery dedicated to illustration and the graphic arts was founded by Sir Quentin Blake in 2014. To learn more about their splendid work visit their website here.

Illustration © Quentin Blake

The Lost Words : Compton Verney

… artwork for the stunning book …

robert macfarlane jackie morris

A delightful exhibition to accompany the launch of this wonderful book, the rooms are full of Jackie‘s stunning artwork and Robert‘s delightful poems.

I particularly enjoyed seeing the full page “absence” watercolours – especially for conker  – as their lyrical beauty is slightly muted in the finished book by the inclusion of the alphabet.

Compton Verney‘s curators have once again created an enchanting space for the art to shine with thoughtful backdrops of colour and illustration inspired by the art and the occasional school desk of bird books for children to browse.

The exhibition runs until 17 December 2017 (Tue – Fri 11am – 4pm; Weekends – 11am – 5pm) and is definitely worth a visit. If you haven’t been to Compton Verney before, I urge you to go.   The exhibition space, permanent exhibitions and park are a delight and make a great day out for both art fiends, nature lovers and families.  There’s a lovely cafe, an adventure playground for children, and boardwalks and pond dipping around the lake.  Click here to be directed to their website.

The Lost Words : Robert Macfarlane & Jackie Morris

… enchanting spells to conjure up nature …

kingfisher jackie morris

Hailed as one of the most beautiful books of the year, The Lost Words is a delightful collaboration between the very inspiring nature writer, Robert Macfarlane, and a supremely talented illustrator, Jackie Morris. Together they have produced a cross between a medieval illuminated manuscript and spell grimoire. The conceit behind the work is that Robert’s words have to conjure the missing animals and plants back into the world.

Each spell takes up three double page spreads. First there is a spread showing a lack: a shadow, an absence, a washed out line drawing; then comes the spell of conjuration and a full page portrait; and finally another full double page spread showing the living object in its landscape. This creates a beguiling rhythm to the procession of beautiful images across these large pages.

The poems themselves are acrostic, spelling out the plant or creature’s name using the first letter of the lines and have a Anglo-Saxon kenning quality about them. Robert twists and turns words about using alliteration and assonance to create evocative word combinations which really come alive when spoken out loud – rather like the expressive nature poems of Gerald Manly Hopkins. Jackie‘s illustrations are seductively gorgeous, making one want to linger over the pages, searching out the detail and basking in the gold leaf.

The whole book is truly delightful – full of humour, warmth and artistry.  And what’s more, there is an exhibition of their collaboration running at Compton Verney until 17th December. Further details are here.

Robert Macfarlane has established himself as one of the finest landscape writers of recent times. His wonderful book, Landmarks, (Hamish Hamilton, 2015) defends the lost language of the British countryside and is a precursor to this work. His other books include Mountains of the Mind, The Wild Places and The Old Ways. I can highly recommend all of these booksHe is a Fellow of Emmanuel College, Cambridge, and writes on environmentalism, literature and travel for publications including the Guardian, the Sunday Times and The New York Times.

Jackie Morris has created over forty books, including beloved classics such as Song of the Golden Hare, Tell Me A Dragon, East of the Sun, West of the Moon and The Wild Swans – and my personal favourite, Can you see a Little Bear? which will be re-released next Summer. She collaborated with Ted Hughes, and her books have sold more than a million copies worldwide.  Have a look at her website here.

The Lost Words was published by Hamish Hamilton in October 2017 and is my seventeenth review for the British Books Challenge 2017.

 

Imagining the Divine : Ashmolean, Oxford

… fascinating mash-ups between religions …

Imagining the Divine, Art and the Rise of World Religions at the Ashmolean in Oxford is an interesting yet somewhat frustrating exhibition. The idea behind the show is to trace the development and cross- fertilisation of visual representation in the major religions. However the curator has opted to place the five religions in different areas rather than allowing any thematic comparison by mixing the objects up. In addition, the rather sparse labelling meant that cross pollination was often eluded to rather than spelt out. The exhibits themselves are a delight and well worth your time.

persian senmurv textile silk

Always on the look out for the more unusual and quirky exhibits, I was drawn to this silk fragment from the V & A showing the fabulous creature, the sēnmurw. Part bird, part beast, the benevolent sēnmurw is a Zoroastrian figure of Sasanian Persian art. Here it is shown as a dog with a peacock’s tail. This piece comes from the same weaving as two pieces associated with the relics of St Helena at St Leu in Paris, now in the Musee des Arts Decoratifs. Relics, sometimes brought back to Europe by Crusaders, were often wrapped in precious silks. So the symbols of one religion are passed on to protect those of another.

The show also had a replica of the gorgeous bone Franks Casket from the British Museum. This intricately decorated Anglo-Saxon box’s significance is like catnip to scholars for it mixes up a Christian story with Germanic legends and Roman mythology. This detail of the front panel shows the Germanic Weyland the Smith at his forge on the left juxtaposed with the Adoration of the Magi on the right.

casket weland adoration british musuem

Imagining the Divine, Art and the Rise of World Religions at the Ashmolean, Oxford runs until 18 February 2018. Usual opening times for the Ashmolean are 10am to 5pm Tuesday to Sunday, and Bank Holidays. For further details about the museum and the exhibition, follow the link here to their own website.

Godsgrave : Jay Kristoff

… exceptional storytelling …  with dazzling fights & unexpected treachery …

kristoff godsgrave nevernight

In this book, our attention shifts from Mia‘s education in the Red Church to her training for the gladiator games at Godsgrave where her father’s murderers will be making a rare public appearance. Mia sells herself to a gladiatorial collegium and she needs to be the last fighter standing for a chance to get close enough to kill them. Accompanied by her not-cat shadow Mister Kindly and not-wolf Eclipse, Mia negotiates her way through the gladiator school finding new friends and enemies as the body count rises and glints of treachery appear.

Jay has an exceptional world building talent and in it he has placed a complex and likeable heroine. But that is not all: what I will remember most about the book is his exuberant story telling which gave me so much pleasure. The novel starts with two stories which doubles the tension; he mirrors scenes between different characters; and he is a master of a great one-liner.

Set amongst a well drawn array of secondary characters, the story has some brilliant plot twists – with some dazzling fight pieces – and a tremendous (abrupt) ending, leaving me wanting the next book – immediately.

(An aside about his footnotes: I ignored them as they slowed the pace too much for me and didn’t detract from the main narrative. Perhaps they are meant for the second or third reading.)

Apart from that, Godsgrave is a real pleasure to read and I highly recommend it.

NB: Godsgrave contains scenes of graphic sex and extreme violence and so is definitely Adult rather than Young Teen territory. 

Cover design moment : The UK cover illustration is again by the Philippines-based Kerby Rosanes and is brilliant. His website is here.  A real asset to the novel.  Well done Micaela Alcaino who designed around it (website here) and whoever at HarperVoyager for crediting them both on the back. I don’t mind the US cover version but feel this design series has more presence and, quite frankly, I could do without an artist’s impression of Mia.

Jay Kristoff is the author of the award winning Japanese Steampunk series, The Lotus War; and a second well received series, The Illuminae Files. With his work, Jay has been a winner of the Aurealis Award for Best Fantasy Short Fiction and a nominee for the David Gemmell  Award. For further information his website is here. His twitter feed is fun to follow. Currently he is calling himself Jay Killzurfavesoff.

Godsgrave was published by HarperVoyager in September 2017.  It follows Nevernight which was published in August 2016.

The Paintings at Upton House

… so which painting would you like to steal?

Rembrandt lievens magus

 

Upton House is another one of those gorgeous country houses with spectacular gardens and glamorous rooms; what sets it apart from a host of other National Trust properties is the quality and range of its astounding art collection.

I visited with a friend at the weekend and we played: “which would you steal for your house?” So it’s all about personal cravings, not money nor technical ability, and we spent a happy couple of hours debating and chatting to the knowledgeable guides.

My very favourite was A Magus at an Altar which is now attributed to Jan Lievens, a contemporary of Rembrandt. To my eye, the detail of the light playing on his silk robes are as exquisite as anything by his more famous contemporary.  In fact, the painting had previously been judged good enough to be a Rembrandt. Then it was relegated to “Rembrandt and his circle” and finally thought to be a just copy of some lost Lievens.

More recent analysis has revealed lots of re-worked passages proving that the work is not a copy but an original work. In fact the examination showed up so many alterations that it suggests, on balance, a Lievens’ approach working rather than a Rembrandt. There is a brief article and further links from the National Trust’s website here.

I was so pleased to be introduced to this Lievens and, after a quick internet search, I find this wonderful still life (in the Rijksmuseum in Amsterdam) … which is a lovely combination of my two main interests: books and art.
lievens rijksmuseum

The man behind the extraordinary collection at Upton House was Walter Samuel, 2nd Viscount Bearsted. He was the chairman of Shell and owned M Samuel & Co. Bank. He was also chairman of the trustees of the National Gallery and the Whitechapel Art Gallery; and also on the board of trustees for the Tate. With his love of paintings and his huge fortune, he amassed one of the finest art collections in private hands during the 20th century. Walter donated the house, gardens and art collection to the National Trust in 1948.

For further information about Upton House, please follow this link to the National Trust’s page on the property.

Thornhill : Pam Smy

… perfectly paced and other worldly …

halloween ghost thornhill

This is a perfectly paced ghost story about a girl living next to a derelict orphanage.

Pam Smy carefully weaves together the stories of two girls in a beguiling mix of diary and illustration. The ghost, Mary, writes heartbreaking entries of her bleak childhood in the diary which is discovered years later by the lonely Ella, whose story is told entirely through unscripted illustrations. With no narrator to help, we are left to piece together the gaps in each story.

Pam then intersperses the diary entries and cartoon narrative with heavy black pages to represent sleep. The cumulative effect of these blanks, combined with the silent illustrations, recreates the detachedness of a lonely childhood and gives the reader delightful pause to think about and guess (deliciously) what might happen next.

The whole effect is intriguing, creepy and otherworldly by turn and builds to a terrific climax.

Highly recommended.

Pam Smy studied Illustration at Cambridge School of Art, part of Anglia Ruskin University, where she now lectures part-time. Pam has illustrated books by Conan Doyle (The Hound of the Baskervilles), Julia Donaldson (Follow the Swallow) and Kathy Henderson (Hush, Baby, Hush!), among others. This is the first book she has both written and illustrated. Pam has a blog spot here which traces some of the development of this work.

This is my sixteenth review in the British Books Challenge 2017.  Come and join us at over at Chelley Toy’s site.

Thornhill by Pam Smy was published on 24 August 2017 by David Fickling Books in the UK and on 29 August 2017 by Roaring Brook Press in USA.

It was recommended to me by Emily who runs Emily’s Bookshop in Chipping Campden. Thanks, Em!

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